A journal of humanity and human experience
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Subscribe now to and get our latest issue featuring the winners of the 2024 BLR Literary Prizes.
Join us online on Thursday, May 23, 2024 at 7 PM ET for a night of readings and interviews with the 2024 winners of the BLR Literary Prizes, featured in Issue 46.
As featured on NPR's Morning Edition
NPR’s Neda Ulaby reported on BLR‘s 20th Anniversary, featuring BLR Editor Danielle Ofri, along with author Celeste Ng. Long before Celeste Ng reached stratospheric popularity with Everything I Never Told You and Little Fires Everywhere, she was an emerging author, whose story “Girls, at Play” appeared in BLR and then won a Pushcart Prize.
Whiting Award Winner
BLR was awarded a Whiting Literary Magazine Prize for
“excellence in publishing, advocacy for writers, and a unique contribution to the strength of the overall literary community.”
BLR Off the Page
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That night, I dreamed of a city older than knowledge/
Dreamed of Serratia, climbed up from the soil
Princess Ugmo was a sulky curled-up thing with the skin of a plucked and boiled chicken. She sat apart from the other patients in the dayroom, scanning the gossip pages, searching vainly for her boldfaced name.
One day in those first months after her mother’s death, Cenem resolved to finally see Los Angeles. She’d spent the afternoon at one of the cheap matinees, seeing Casablanca yet again, and after, went directly to the used bookstore off Taksim Square in search of a copy of Baedecker’s California.
You’ll wear five-inch black pumps because they make that annoying noise that alerts everyone everywhere in the whole wide world that you’re arriving.
It was around noon on a spring day in the month of May when Ms. Abedi appeared at the intersection of Shahrara and Sattar Khan Streets on the west side of Tehran.
Do you have an appetite? No. / Are you anxious? Yes. / Irritable? Yes.
The longevity of a print journal like BLR is a testament to the enduring need for story, to the richness of exchange between writers and readers, to the role of the literary magazine in fostering, creating, and maintaining community.
Dotty Adams remarked that she hadn’t known there were any Jews in the neighborhood. Some people wondered if the men in long black coats and broad-brimmed hats were Goths, like those boys at Columbine.
I understand these were commercial jetliners, not ICBMs, that split the steel and glass of the World Trade Center. Someone, a person, had a long-standing vision, intentions, imagined the explosions and death that would follow.
Praise & Recognition
``With every issue, Bellevue Literary Review probes our understanding of the human body and mind in new ways. It is essential reading for anyone who deals with sickness and health, anyone interested in narrative medicine, anyone who simply needs a dose of deep grace and humanity.”
“The editors have produced a journal of uncommon literary quality.”
“I subscribe and receive literally hundreds of magazines every year. Of all those magazines, none stands out more than Bellevue Literary Review.”
“These two non-fiction pieces in BLR are powerful, honest, and heartrending. They lifted me up because of the truths released onto the pages. Both deal with problems our family is suffering through, so on a personal level, the authors are helping me grapple.”
“BLR's contents are at once practically instructive, and yet intangibly inspiring and utterly gripping. I can’t imagine my work as a writer, or a doctor, without it.”
“After reading it cover to cover, I came away walloped by the breadth and depth of the pain it highlights.”
“No human thing is more universal than illness, in all its permutations, and no literary publication holds more credibility on the subject than Bellevue Literary Review.”
“A kaleidoscope of creativity. . . The selections are unsentimental and often unpredictable.”
“What is most impressive about BLR, though, is how the editors can stretch their own boundaries.”
“Ask any healthcare worker, ask any patient who has come back from illness and fear, and you will hear stories that might change your life. That's what BLR offers.”
“BLR is loyal to its theme but never constrained by it, uncovering boundless tonal and narrative possibilities as it contemplates the body as a physical entity, probes the manifestation of mental illness, or reckons with how the racialized and gendered body is perceived.”
“BLR is open to many modes and styles of work; it has no house style except humanity (though excellent editing doesn't hurt either).”