A journal of humanity and human experience
Coming up next
Join us June 11th for a BLR BookTalk with renowned writer Pria Anand on her book, The Mind Electric. (Free, online)
As featured on NPR's Morning Edition
NPR’s Neda Ulaby reported on BLR‘s 20th Anniversary, featuring BLR Editor Danielle Ofri, along with author Celeste Ng. Long before Celeste Ng reached stratospheric popularity with Everything I Never Told You and Little Fires Everywhere, she was an emerging author, whose story “Girls, at Play” appeared in BLR and then won a Pushcart Prize.
Whiting Award Winner
BLR was awarded a Whiting Literary Magazine Prize for
“excellence in publishing, advocacy for writers, and a unique contribution to the strength of the overall literary community.”
BLR Off the Page
DISCOVER MORE
by Daniel Reiss.
“To find honey, I must first find a bee. It’s not that hard to find a bee. I just wander the woods till I find a source of water. If I come to a creek or a river, I’ll nearly always find bees…”
Mornings, Adam struggles up from his dreams to a blinding, ochre-tinged pain that sizzles up his damaged spine, seizes his neck, etches spiteful hieroglyphics into the base of his skull. He can’t help groaning but he does it quietly, because Rosie works third shift and needs her sleep. Before he hurt his back, he didn’t understand that pain is another person who travels with you…
Aunt #1’s plastic toilet lid shifts under Manolo’s weight as he balances his left ankle on his right knee, careful so his leg doesn’t slide off his sweatpants.
by Kwame Sound Daniels.
“One day, I will love you like a meal. / I will love you like holding a spoon to your mouth.”
by Peter Schmitt.
“Behind the thick, crosshatched glass of the cruiser / my brother, back for the holiday, breathes / more slowly.”
You know / drowning is as much a predicament of time / as water.
All that time I’ve been working here, mopping the floors, emptying the trash, washing down rooms, and watching the wet-behind-the-ears young pup doctors learn their business.
I still remember the sound of the rubber thumping rhythmically against the carpet as you walked, slow and steady. Whenever I heard it, I knew it was you.
Fiction Editor
Praise & Recognition
``With every issue, Bellevue Literary Review probes our understanding of the human body and mind in new ways. It is essential reading for anyone who deals with sickness and health, anyone interested in narrative medicine, anyone who simply needs a dose of deep grace and humanity.”
“The editors have produced a journal of uncommon literary quality.”
“I subscribe and receive literally hundreds of magazines every year. Of all those magazines, none stands out more than Bellevue Literary Review.”
“These two non-fiction pieces in BLR are powerful, honest, and heartrending. They lifted me up because of the truths released onto the pages. Both deal with problems our family is suffering through, so on a personal level, the authors are helping me grapple.”
“BLR's contents are at once practically instructive, and yet intangibly inspiring and utterly gripping. I can’t imagine my work as a writer, or a doctor, without it.”
“After reading it cover to cover, I came away walloped by the breadth and depth of the pain it highlights.”
“No human thing is more universal than illness, in all its permutations, and no literary publication holds more credibility on the subject than Bellevue Literary Review.”
“A kaleidoscope of creativity. . . The selections are unsentimental and often unpredictable.”
“What is most impressive about BLR, though, is how the editors can stretch their own boundaries.”
“Ask any healthcare worker, ask any patient who has come back from illness and fear, and you will hear stories that might change your life. That's what BLR offers.”
“BLR is loyal to its theme but never constrained by it, uncovering boundless tonal and narrative possibilities as it contemplates the body as a physical entity, probes the manifestation of mental illness, or reckons with how the racialized and gendered body is perceived.”
“BLR is open to many modes and styles of work; it has no house style except humanity (though excellent editing doesn't hurt either).”