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— Everything BLR —
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Remembering September 11th
2026 marks 25 years since the devastating 9/11 attacks. Even after all these years, it still feels impossible to wrap one’s mind around the enormity and barbarity of that day… // continue reading
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BLR 25th anniversary ~~ Issue 35 highlights
A look back at BLR’s redesign, plus much more as we continue to share issue highlights throughout our 25th anniversary year. // continue reading
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Call for Submissions: Theme Issue on Migrations
From September 1 to December 31, 2026, we are accepting submissions for a special theme issue on Migrations. // continue reading
— See what’s new with us at BLR —
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Call for Submissions: Theme Issue on Migrations
From September 1 to December 31, 2026, we are accepting submissions for a special theme issue on Migrations. // continue reading
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Angela Tang-Tan Wins Pushcart Prize for “Two Thoracotomies”
BLR is thrilled to announce that “Two Thoracotomies” by Angela Tang-Tan has won a Pushcart Prize. // continue reading
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BLR Spring Reading with Authors from Issue 50
Join us on May 28 to celebrate the launch of Issue 50. We’ll hear from the issue’s authors live as they share their stories, essays, and poems. // continue reading
— Come join us, online, or in person —
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Creativity in Medicine: Navigating Uncertainty through Art and Literature
Explore how poetry, stories, and visual art can help us make sense of medicine’s complexities in this new online workshop. // continue reading
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Art and Medicine: Supporting Compassion Through Creativity
Enjoy cocktails, conversation, and community, while supporting BLR’s Art in Medicine program. // continue reading
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Celebration of Poetry and Healing
BLR is thrilled to be part of the 2026 poetry series at Bryant Park’s Reading Room. All are welcome — mark your calendar for September 1! // continue reading
— Read interviews with BLR authors, editors, readers, and more —
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Interview: Laura E. Garrard
“I found capturing moments through poetry, rather than summarizing the entire cancer experience, to be therapeutic rather than draining.” // continue reading
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Interview: Lara Palmqvist
“The very idea that no story is final—be it the story of one’s own self, or the story of a nation—is ultimately something in which I find great hope.” // continue reading
— A new set of great reads with each click —
- fiction
- nonfiction
- poetry
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Getting in Trouble
by Ed Meek. “I drive slowly and I know people are angry at me—hitting their horns and cursing, giving me the finger. I just smile and keep going.” // continue reading
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What Is Buried Beneath
by Kati Eisenhuth. “…I stand in the OR at Bagram Air Base, Afghanistan, after another IED explosion. Two patients are laid out on surgical tables, each with a wound that gapes and gray skin tattooed by shrapnel.” // continue reading
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The Great Imitator
by Leslie Patterson. “I am a disease. My very existence poisons my father’s life.” // continue reading
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Anticipatory Grief
by Misty Kiwak Jacobs. “After Father Marcel died, he came to me in a dream and said, “I liked you very much.” Not the Great Commandment that he kept, his job description. Gloriously less…Those words his imprimatur on my grief.” // continue reading
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Dispatch From Bewilderness
by Judith Hannah Weiss. “Probes puncture my scalp, surveying my mind. Temporal lobe, occipital lobe, you name it; there’s a probe for the lobe.” // continue reading
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by Joan Kip. “It’s now eighteen months since Art died, and while he continues to inhabit the depths of my house, that place where our souls meet, the upper stories still feel his absence.” // continue reading
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In the British Library Repository
by Katie Chaple. “The other man holds the letters / to his nose, inhaling deeply. / One letter after another he lifts and smells, / making two piles.” // continue reading
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Ambulance
by Halvard Johnson. “This restaurant has a fine ambulance.” / What my friend, of course, must have / meant was that this restoration / had a fine ambience…” // continue reading
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Prisoner
by John Stone. “This is the house of Anopheles / in the city of malaria / that infects 500 million souls a year…” // continue reading
As featured on PBS News Hour’s CANVAS Series
Watch PBS News Hour’s Jeffrey Brown report on BLR’s 25th Anniversary, featuring BLR Editor Danielle Ofri and past BLR writers reflecting on why poetry, storytelling, and writing matter, especially in moments of illness.
Whiting Award Winner
BLR was awarded a Whiting Literary Magazine Prize for “excellence in publishing, advocacy for writers, and a unique contribution to the strength of the overall literary community.”
Praise & Recognition
``With every issue, Bellevue Literary Review probes our understanding of the human body and mind in new ways. It is essential reading for anyone who deals with sickness and health, anyone interested in narrative medicine, anyone who simply needs a dose of deep grace and humanity.”
“The editors have produced a journal of uncommon literary quality.”
“I subscribe and receive literally hundreds of magazines every year. Of all those magazines, none stands out more than Bellevue Literary Review.”
“These two non-fiction pieces in BLR are powerful, honest, and heartrending. They lifted me up because of the truths released onto the pages. Both deal with problems our family is suffering through, so on a personal level, the authors are helping me grapple.”
“BLR's contents are at once practically instructive, and yet intangibly inspiring and utterly gripping. I can’t imagine my work as a writer, or a doctor, without it.”
“After reading it cover to cover, I came away walloped by the breadth and depth of the pain it highlights.”
“No human thing is more universal than illness, in all its permutations, and no literary publication holds more credibility on the subject than Bellevue Literary Review.”
“A kaleidoscope of creativity. . . The selections are unsentimental and often unpredictable.”
“What is most impressive about BLR, though, is how the editors can stretch their own boundaries.”
“Ask any healthcare worker, ask any patient who has come back from illness and fear, and you will hear stories that might change your life. That's what BLR offers.”
“BLR is loyal to its theme but never constrained by it, uncovering boundless tonal and narrative possibilities as it contemplates the body as a physical entity, probes the manifestation of mental illness, or reckons with how the racialized and gendered body is perceived.”
“BLR is open to many modes and styles of work; it has no house style except humanity (though excellent editing doesn't hurt either).”





















