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BLR 25th anniversary ~~ Issue 29 highlights
Reflections on the cost of war, plus much more as we continue to share issue highlights throughout our 25th anniversary year. // continue reading
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Creativity in Medicine: Navigating Uncertainty through Art and Literature
Explore how poetry, stories, and visual art can help us make sense of medicine’s complexities in this new online class. // continue reading
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BLR Editor Danielle Ofri on “Why Medicine Needs Literary Magazines”
“Maybe a literary journal is not so much pages bound onto a spine, but rather a community of people—writers, readers, listeners, thinkers—who find solace in the comforts and confrontations of the written word.” // continue reading
— See what’s new with us at BLR —
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Angela Tang-Tan Wins Pushcart Prize for “Two Thoracotomies”
BLR is thrilled to announce that “Two Thoracotomies” by Angela Tang-Tan has won a Pushcart Prize. // continue reading
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BLR Spring Reading with Authors from Issue 50
Join us on May 28 to celebrate the launch of Issue 50. We’ll hear from the issue’s authors live as they share their stories, essays, and poems. // continue reading
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Announcing the BLR Book Club pick
We’re excited to announce our first pick for the BLR Book Club: Fire Exit, a novel by Morgan Talty. Named a Best Book of the Year by TIME, The New Yorker, ELLE, NPR, and Harper’s… // continue reading
— Come join us, online, or in person —
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Art and Medicine: Supporting Compassion Through Creativity
Enjoy cocktails, conversation, and community, while supporting BLR’s Art in Medicine program. // continue reading
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Creativity in Medicine: Navigating Uncertainty through Art and Literature
Explore how poetry, stories, and visual art can help us make sense of medicine’s complexities in this new online class. // continue reading
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Celebration of Poetry and Healing
BLR is thrilled to be part of the 2026 poetry series at Bryant Park’s Reading Room. All are welcome — mark your calendar for September 1! // continue reading
— Read interviews with BLR authors, editors, readers, and more —
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Interview: Laura E. Garrard
“I found capturing moments through poetry, rather than summarizing the entire cancer experience, to be therapeutic rather than draining.” // continue reading
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Interview: Lara Palmqvist
“The very idea that no story is final—be it the story of one’s own self, or the story of a nation—is ultimately something in which I find great hope.” // continue reading
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Interview: Sabah Parsa
“Humor is the easiest for me to write in any piece, fiction or nonfiction.” // continue reading
— A new set of great reads with each click —
- fiction
- nonfiction
- poetry
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Lydiola
by Sarah Yahm. “The ants in her foot went back to work digging tunnels and palaces and palazzos. She willed them to leave but they lingered and malingered and trespassed.” // continue reading
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Repurpose
by Jake Wolff. “My father used to say that there are two instances in which it’s okay to hit a woman: she brandishes a weapon on you or she brandishes a weapon on herself. He arrived at this last point… // continue reading
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A Big Empty
by Rhonda Browning White. “We hadn’t talked since we left our West Virginia homeplace over two hours ago, both of us teary-eyed…” // continue reading
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Carrying History
Sahar Delijani. “I am a child of the Iranian revolution. In 1983, my mother gave birth to me in Evin Prison, one of Iran’s most notorious jails.” // continue reading
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A Nigerian Attempts Therapy
by Ucheoma Onwutuebe. “I am a Nigerian woman, plagued by Nigerian womanly problems. When I moved to America for graduate school last summer, I believed this new country would shield me from those nagging afflictions.” // continue reading
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Blood/Shed
by Alanna Weissman. “You know what they say—never trust anything that can bleed for a week without dying.” // continue reading
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Animals Decide When to Die
by Jayne Marek. “Old cat, my little love, as you withdraw / along with the declining days in October / and fold yourself into slanting light, / you seem quiet and neat as rolled-up socks.” // continue reading
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Her Marked Black Body
by Cynthia Parker-Ohene. “The macabre moon / Once lunged at me / It hisses red / Hangs voyeuristically / Wants me to stand in its balkanized light.” // continue reading
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Writing Poems on Antidepressants
by Nikki Moustaki. “Writing poems on antidepressants / is hard. You can appreciate the difficulty / by reading the previous two lines.” // continue reading
As featured on PBS News Hour’s CANVAS Series
Watch PBS News Hour’s Jeffrey Brown report on BLR’s 25th Anniversary, featuring BLR Editor Danielle Ofri and past BLR writers reflecting on why poetry, storytelling, and writing matter, especially in moments of illness.
Whiting Award Winner
BLR was awarded a Whiting Literary Magazine Prize for “excellence in publishing, advocacy for writers, and a unique contribution to the strength of the overall literary community.”
Praise & Recognition
``With every issue, Bellevue Literary Review probes our understanding of the human body and mind in new ways. It is essential reading for anyone who deals with sickness and health, anyone interested in narrative medicine, anyone who simply needs a dose of deep grace and humanity.”
“The editors have produced a journal of uncommon literary quality.”
“I subscribe and receive literally hundreds of magazines every year. Of all those magazines, none stands out more than Bellevue Literary Review.”
“These two non-fiction pieces in BLR are powerful, honest, and heartrending. They lifted me up because of the truths released onto the pages. Both deal with problems our family is suffering through, so on a personal level, the authors are helping me grapple.”
“BLR's contents are at once practically instructive, and yet intangibly inspiring and utterly gripping. I can’t imagine my work as a writer, or a doctor, without it.”
“After reading it cover to cover, I came away walloped by the breadth and depth of the pain it highlights.”
“No human thing is more universal than illness, in all its permutations, and no literary publication holds more credibility on the subject than Bellevue Literary Review.”
“A kaleidoscope of creativity. . . The selections are unsentimental and often unpredictable.”
“What is most impressive about BLR, though, is how the editors can stretch their own boundaries.”
“Ask any healthcare worker, ask any patient who has come back from illness and fear, and you will hear stories that might change your life. That's what BLR offers.”
“BLR is loyal to its theme but never constrained by it, uncovering boundless tonal and narrative possibilities as it contemplates the body as a physical entity, probes the manifestation of mental illness, or reckons with how the racialized and gendered body is perceived.”
“BLR is open to many modes and styles of work; it has no house style except humanity (though excellent editing doesn't hurt either).”




















