A journal of humanity and human experience
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As featured on NPR's Morning Edition
NPR’s Neda Ulaby reported on BLR‘s 20th Anniversary, featuring BLR Editor Danielle Ofri, along with author Celeste Ng. Long before Celeste Ng reached stratospheric popularity with Everything I Never Told You and Little Fires Everywhere, she was an emerging author, whose story “Girls, at Play” appeared in BLR and then won a Pushcart Prize.
Whiting Award Winner
BLR was awarded a Whiting Literary Magazine Prize for
“excellence in publishing, advocacy for writers, and a unique contribution to the strength of the overall literary community.”
BLR Off the Page
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We watch the gardener arc the hose / carelessly washing away the work / of mud sparrows, hornets and wasps.
He stands before the class, the lectern his wheelhouse, the teen- or twenty-
something-aged students his sea, the sky in the back windows his horizon. The worn paperback before him lays open to a page. If he were to brush it to
the floor, the spine would strike first and the leaves would fall three-quarters right, a quarter left. The book would lay open on page 63, just as it does on the podium.
When they suggested one more blood test, since “maybe you’re lucky and you just have AIDS,” I knew that the absolute worst thing was for real,
I am finding the experience terrifyingly similar to what I imagine it would be like to witness my mother drown. I stand on the shore and throw ropes to her, but she has no idea what to do with them. I try to swim to her, but she only moves farther away.
Assistant Nonfiction Editor
Each time something went missing—
the photo album of my first
year, postcard from a forgotten friend…
Call it an exercise in restraint/
The angle of ascent is sharp/
Like the sloped ceiling
And here is another thing you do not remember: your parents telling you that you have polio, and that they are taking you to St. Margaret’s Hospital in Northridge.
These poems are antic, lustrous, vital engagements with the tangible artifacts of aging, illness, and the promise of dying
Praise & Recognition
``With every issue, Bellevue Literary Review probes our understanding of the human body and mind in new ways. It is essential reading for anyone who deals with sickness and health, anyone interested in narrative medicine, anyone who simply needs a dose of deep grace and humanity.”
“The editors have produced a journal of uncommon literary quality.”
“I subscribe and receive literally hundreds of magazines every year. Of all those magazines, none stands out more than Bellevue Literary Review.”
“These two non-fiction pieces in BLR are powerful, honest, and heartrending. They lifted me up because of the truths released onto the pages. Both deal with problems our family is suffering through, so on a personal level, the authors are helping me grapple.”
“BLR's contents are at once practically instructive, and yet intangibly inspiring and utterly gripping. I can’t imagine my work as a writer, or a doctor, without it.”
“After reading it cover to cover, I came away walloped by the breadth and depth of the pain it highlights.”
“No human thing is more universal than illness, in all its permutations, and no literary publication holds more credibility on the subject than Bellevue Literary Review.”
“A kaleidoscope of creativity. . . The selections are unsentimental and often unpredictable.”
“What is most impressive about BLR, though, is how the editors can stretch their own boundaries.”
“Ask any healthcare worker, ask any patient who has come back from illness and fear, and you will hear stories that might change your life. That's what BLR offers.”
“BLR is loyal to its theme but never constrained by it, uncovering boundless tonal and narrative possibilities as it contemplates the body as a physical entity, probes the manifestation of mental illness, or reckons with how the racialized and gendered body is perceived.”
“BLR is open to many modes and styles of work; it has no house style except humanity (though excellent editing doesn't hurt either).”