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BLR 25th anniversary ~~ Issue 29 highlights
Reflections on the cost of war, plus much more as we continue to share issue highlights throughout our 25th anniversary year. // continue reading
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Creativity in Medicine: Navigating Uncertainty through Art and Literature
Explore how poetry, stories, and visual art can help us make sense of medicine’s complexities in this new online class. // continue reading
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BLR Editor Danielle Ofri on “Why Medicine Needs Literary Magazines”
“Maybe a literary journal is not so much pages bound onto a spine, but rather a community of people—writers, readers, listeners, thinkers—who find solace in the comforts and confrontations of the written word.” // continue reading
— See what’s new with us at BLR —
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Angela Tang-Tan Wins Pushcart Prize for “Two Thoracotomies”
BLR is thrilled to announce that “Two Thoracotomies” by Angela Tang-Tan has won a Pushcart Prize. // continue reading
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BLR Spring Reading with Authors from Issue 50
Join us on May 28 to celebrate the launch of Issue 50. We’ll hear from the issue’s authors live as they share their stories, essays, and poems. // continue reading
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Announcing the BLR Book Club pick
We’re excited to announce our first pick for the BLR Book Club: Fire Exit, a novel by Morgan Talty. Named a Best Book of the Year by TIME, The New Yorker, ELLE, NPR, and Harper’s… // continue reading
— Come join us, online, or in person —
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Art and Medicine: Supporting Compassion Through Creativity
Enjoy cocktails, conversation, and community, while supporting BLR’s Art in Medicine program. // continue reading
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Creativity in Medicine: Navigating Uncertainty through Art and Literature
Explore how poetry, stories, and visual art can help us make sense of medicine’s complexities in this new online class. // continue reading
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Celebration of Poetry and Healing
BLR is thrilled to be part of the 2026 poetry series at Bryant Park’s Reading Room. All are welcome — mark your calendar for September 1! // continue reading
— Read interviews with BLR authors, editors, readers, and more —
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Interview: Laura E. Garrard
“I found capturing moments through poetry, rather than summarizing the entire cancer experience, to be therapeutic rather than draining.” // continue reading
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Interview: Lara Palmqvist
“The very idea that no story is final—be it the story of one’s own self, or the story of a nation—is ultimately something in which I find great hope.” // continue reading
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Interview: Sabah Parsa
“Humor is the easiest for me to write in any piece, fiction or nonfiction.” // continue reading
— A new set of great reads with each click —
- fiction
- nonfiction
- poetry
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In This Skin
by Emma Pattee. “’The difference between a good butthole and a bad butthole is the wink.’ This is the best man talking.” // continue reading
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What They Will Say
by Fabienne Josaphat. “Marielle’s sisters and cousins were all born with judgment in their mouths, always throwing stones at women who stepped out of line or into the fire.” // continue reading
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In Lieu of a Better Plan
by Elizabeth Downs. “One otherwise pleasant evening at the asylum, I—a known murderess and recently declared Vice President of Ward G—escape through a partially opened, third-story window.” // continue reading
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Family Portrait, Guam, 1979
by Katherine Lien Chariott. “I know who you are. You are the girl of twenty, in that black and white photograph I held onto for years, that girl so beautiful she filled me with shame, just as she filled me… // continue reading
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Every Day Anew
by Pia Jee-Hae Baur. “I dislike switching doctors, primarily because every time I have to recount my medical history, I have to decide how much I should lie.” // continue reading
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Loaded Gun
by Erin Van Rheenen. “The room with the gun is where my father-in-law, Phil, watches the news at full hectoring volume…The news he favors taps into his fear of the big bad world and anyone who isn’t him.” // continue reading
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The Speed of Mice
by Hal Sirowitz. “When the Parkinson’s medication / wears down, I turn into Cinderella. / My means of transportation / slows down to the speed of / a pumpkin pulled by mice.” // continue reading
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Animals Decide When to Die
by Jayne Marek. “Old cat, my little love, as you withdraw / along with the declining days in October / and fold yourself into slanting light, / you seem quiet and neat as rolled-up socks.” // continue reading
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Chronic Care: “Broken Leg” by Keith Carter, Photograph (Toned Gelatin Silver Print 1998)
by Laurie Clements Lambeth. “The girl in black dress and tights stands behind the fawn, / hands clasped, their white blur forming almost / a heart.” // continue reading
As featured on PBS News Hour’s CANVAS Series
Watch PBS News Hour’s Jeffrey Brown report on BLR’s 25th Anniversary, featuring BLR Editor Danielle Ofri and past BLR writers reflecting on why poetry, storytelling, and writing matter, especially in moments of illness.
Whiting Award Winner
BLR was awarded a Whiting Literary Magazine Prize for “excellence in publishing, advocacy for writers, and a unique contribution to the strength of the overall literary community.”
Praise & Recognition
``With every issue, Bellevue Literary Review probes our understanding of the human body and mind in new ways. It is essential reading for anyone who deals with sickness and health, anyone interested in narrative medicine, anyone who simply needs a dose of deep grace and humanity.”
“The editors have produced a journal of uncommon literary quality.”
“I subscribe and receive literally hundreds of magazines every year. Of all those magazines, none stands out more than Bellevue Literary Review.”
“These two non-fiction pieces in BLR are powerful, honest, and heartrending. They lifted me up because of the truths released onto the pages. Both deal with problems our family is suffering through, so on a personal level, the authors are helping me grapple.”
“BLR's contents are at once practically instructive, and yet intangibly inspiring and utterly gripping. I can’t imagine my work as a writer, or a doctor, without it.”
“After reading it cover to cover, I came away walloped by the breadth and depth of the pain it highlights.”
“No human thing is more universal than illness, in all its permutations, and no literary publication holds more credibility on the subject than Bellevue Literary Review.”
“A kaleidoscope of creativity. . . The selections are unsentimental and often unpredictable.”
“What is most impressive about BLR, though, is how the editors can stretch their own boundaries.”
“Ask any healthcare worker, ask any patient who has come back from illness and fear, and you will hear stories that might change your life. That's what BLR offers.”
“BLR is loyal to its theme but never constrained by it, uncovering boundless tonal and narrative possibilities as it contemplates the body as a physical entity, probes the manifestation of mental illness, or reckons with how the racialized and gendered body is perceived.”
“BLR is open to many modes and styles of work; it has no house style except humanity (though excellent editing doesn't hurt either).”




















