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BLR 25th anniversary ~~ Issue 38 highlights
World War II-inspired cover art, plus much more as we continue to share issue highlights throughout our 25th anniversary year. // continue reading
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Bellevue Literary Review: 2026 Fall Reading
Join us on October 22 to celebrate the launch of BLR’s special 25th anniversary issue; hear from the issue’s contributors live as they read from their work. // continue reading
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Call for Submissions: Theme Issue on Migrations
From September 1 to December 31, 2026, we are accepting submissions for a special theme issue on Migrations. // continue reading
— See what’s new with us at BLR —
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Call for Submissions: Theme Issue on Migrations
From September 1 to December 31, 2026, we are accepting submissions for a special theme issue on Migrations. // continue reading
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Coming soon! BLR’s 25th anniversary issue
Along with a stellar mix of fiction, nonfiction, and poetry, the anniversary issue of BLR includes special features including an art insert and roundtable about writing and healing. // continue reading
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Angela Tang-Tan Wins Pushcart Prize for “Two Thoracotomies”
BLR is thrilled to announce that “Two Thoracotomies” by Angela Tang-Tan has won a Pushcart Prize. // continue reading
— Come join us, online, or in person —
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Bellevue Literary Review: 2026 Fall Reading
Join us on October 22 to celebrate the launch of BLR’s special 25th anniversary issue; hear from the issue’s contributors live as they read from their work. // continue reading
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Creativity in Medicine: Navigating Uncertainty through Art and Literature
Explore how poetry, stories, and visual art can help us make sense of medicine’s complexities in this new online workshop. // continue reading
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Art and Medicine: Supporting Compassion Through Creativity
Enjoy cocktails, conversation, and community, while supporting BLR’s Art in Medicine program. // continue reading
— Read interviews with BLR authors, editors, readers, and more —
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Interview: Laura E. Garrard
“I found capturing moments through poetry, rather than summarizing the entire cancer experience, to be therapeutic rather than draining.” // continue reading
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Interview: Lara Palmqvist
“The very idea that no story is final—be it the story of one’s own self, or the story of a nation—is ultimately something in which I find great hope.” // continue reading
— A new set of great reads with each click —
- fiction
- nonfiction
- poetry
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Avtomat Kalashnikova
by Rachel Hall. “Mikhail Timofeyevich Kalashnikov wakes in gray light to the sounds of the injured soldiers in the cots beside him moaning, crying out.” // continue reading
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Atrophy
by Lauren Erin O’Brien. “Yarrow doesn’t say much aside from being strange but that’s less him and more his parents, if he even has those. He doesn’t seem like the type to come from a womb.” // continue reading
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Bound
by Sam Schieren. “He had been looking at his mother. There was a look on her face he will never forget, like she’d seen through to the other side.” // continue reading
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Given
by Nancy Devine. “This must be the first harvest from our acreage: our young vineyard singing, the plastic, ribbed grow tubes that make little greenhouses for each of the young grape plants catching wind and, like a throat and its… // continue reading
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Presence of Another
by Amanda Leskovac. “The nurses in the ICU had said I was going to rehabilitation, but since I’ve only heard rehab synonymous with addicts, I have no idea what to expect. The huge collar around my neck prevents me from… // continue reading
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Dark Valley
by Zoë Sprankle. “I’m too young now to know how soon imaginary play will decay and mature into rumors and cliques and senior boys with beards who look at me like I’m simultaneously a toddler and a toy.” // continue reading
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The Rice-Eating Ceremony
by Sonia Sarkar. “Nine months into my life, I am asked to eat on command / These tiny bursts of cylindrical snow that will reappear / Again and again…” // continue reading
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Ellis Island, 1951
by Vera Kroms. “On the island / where we landed, radiation / lit my father up, illuminated / hidden damage…” // continue reading
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To the Friend Who Can’t Tell a Turtle from a Lump of Pond Gunk
by Cynthia Marie Hoffman. “I don’t know what will / happen, but let’s not rush home to the / leaking faucet just yet, the ants / hauling cat food behind the walls.” // continue reading
As featured on PBS News Hour’s CANVAS Series
Watch PBS News Hour’s Jeffrey Brown report on BLR’s 25th Anniversary, featuring BLR Editor Danielle Ofri and past BLR writers reflecting on why poetry, storytelling, and writing matter, especially in moments of illness.
Whiting Award Winner
BLR was awarded a Whiting Literary Magazine Prize for “excellence in publishing, advocacy for writers, and a unique contribution to the strength of the overall literary community.”
Praise & Recognition
``With every issue, Bellevue Literary Review probes our understanding of the human body and mind in new ways. It is essential reading for anyone who deals with sickness and health, anyone interested in narrative medicine, anyone who simply needs a dose of deep grace and humanity.”
“The editors have produced a journal of uncommon literary quality.”
“I subscribe and receive literally hundreds of magazines every year. Of all those magazines, none stands out more than Bellevue Literary Review.”
“These two non-fiction pieces in BLR are powerful, honest, and heartrending. They lifted me up because of the truths released onto the pages. Both deal with problems our family is suffering through, so on a personal level, the authors are helping me grapple.”
“BLR's contents are at once practically instructive, and yet intangibly inspiring and utterly gripping. I can’t imagine my work as a writer, or a doctor, without it.”
“After reading it cover to cover, I came away walloped by the breadth and depth of the pain it highlights.”
“No human thing is more universal than illness, in all its permutations, and no literary publication holds more credibility on the subject than Bellevue Literary Review.”
“A kaleidoscope of creativity. . . The selections are unsentimental and often unpredictable.”
“What is most impressive about BLR, though, is how the editors can stretch their own boundaries.”
“Ask any healthcare worker, ask any patient who has come back from illness and fear, and you will hear stories that might change your life. That's what BLR offers.”
“BLR is loyal to its theme but never constrained by it, uncovering boundless tonal and narrative possibilities as it contemplates the body as a physical entity, probes the manifestation of mental illness, or reckons with how the racialized and gendered body is perceived.”
“BLR is open to many modes and styles of work; it has no house style except humanity (though excellent editing doesn't hurt either).”





















