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BLR 25th anniversary ~~ Issue 33 highlights
Finding home in family and connections, plus much more as we continue to share issue highlights throughout our 25th anniversary year. // continue reading
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Art and Medicine: Supporting Compassion Through Creativity
Enjoy cocktails, conversation, and community, while supporting BLR’s Art in Medicine program. // continue reading
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Call for Submissions: Theme Issue on Migrations
From September 1 to December 31, 2026, we are accepting submissions for a special theme issue on Migrations. // continue reading
— See what’s new with us at BLR —
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Call for Submissions: Theme Issue on Migrations
From September 1 to December 31, 2026, we are accepting submissions for a special theme issue on Migrations. // continue reading
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Angela Tang-Tan Wins Pushcart Prize for “Two Thoracotomies”
BLR is thrilled to announce that “Two Thoracotomies” by Angela Tang-Tan has won a Pushcart Prize. // continue reading
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BLR Spring Reading with Authors from Issue 50
Join us on May 28 to celebrate the launch of Issue 50. We’ll hear from the issue’s authors live as they share their stories, essays, and poems. // continue reading
— Come join us, online, or in person —
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Art and Medicine: Supporting Compassion Through Creativity
Enjoy cocktails, conversation, and community, while supporting BLR’s Art in Medicine program. // continue reading
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Creativity in Medicine: Navigating Uncertainty through Art and Literature
Explore how poetry, stories, and visual art can help us make sense of medicine’s complexities in this new online class. // continue reading
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Celebration of Poetry and Healing
BLR is thrilled to be part of the 2026 poetry series at Bryant Park’s Reading Room. All are welcome — mark your calendar for September 1! // continue reading
— Read interviews with BLR authors, editors, readers, and more —
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Interview: Laura E. Garrard
“I found capturing moments through poetry, rather than summarizing the entire cancer experience, to be therapeutic rather than draining.” // continue reading
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Interview: Lara Palmqvist
“The very idea that no story is final—be it the story of one’s own self, or the story of a nation—is ultimately something in which I find great hope.” // continue reading
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Interview: Sabah Parsa
“Humor is the easiest for me to write in any piece, fiction or nonfiction.” // continue reading
— A new set of great reads with each click —
- fiction
- nonfiction
- poetry
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Translation Memory
by Midge Raymond. “For days he came home to find her in the same spot, staring at an empty street. When she turned to him, her eyes looked like thin wet glass, as if the slightest sound could shatter them.” // continue reading
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Last Stop
by Daniel Pope. “Outside the train station a man lies on the concrete brick walkway, his head resting in a pool of blood. His skull is buzzed and the blood leaks brightly out of a wound above his left temple.… // continue reading
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Geese
by Grace Glass. “Mornings, Adam struggles up from his dreams to a blinding, ochre-tinged pain that sizzles up his damaged spine, seizes his neck, etches spiteful hieroglyphics into the base of his skull. He can’t help groaning but he does… // continue reading
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A Love Story All the Same
by Claire A. Berman. “…I understood that he’d been expressing his own insecurities, not mine. I entered new relationships full of trepidation. Symptoms and appearance were inextricably bound together in my mind, necessitating constant body vigilance to control them.” // continue reading
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Motherhood Requiem
by Nadia Ghent. “One afternoon, after my mother had fallen ill for the fourth or fifth time, I pulled out all my eyelashes, one by one. I was thirteen. She had gone to the hospital in the middle of the… // continue reading
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I Must Have Been That Man
by Adina Talve-Goodman. “To the left of the scar, I could see the new heart beating beneath my skin. The new double pump song of perfection replacing the one wrong beat, a single ventricle, I’d had before.” // continue reading
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Particle
by Jan Bottiglieri. “like light is / like my speckled skin: brim / and brink. verge…” // continue reading
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Homage to My Radiated Hip
by Laura E. Garrard. “I am finally kind to my broken body / when she pops her hip, limps her leg. // I do not shout down my spine / but coo and coax like a loving mother…” // continue reading
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Art
by Eric Nelson. “October, a woman and a boy, a tumor / overtaking his brain, draw pictures / in the waiting room.” // continue reading
As featured on PBS News Hour’s CANVAS Series
Watch PBS News Hour’s Jeffrey Brown report on BLR’s 25th Anniversary, featuring BLR Editor Danielle Ofri and past BLR writers reflecting on why poetry, storytelling, and writing matter, especially in moments of illness.
Whiting Award Winner
BLR was awarded a Whiting Literary Magazine Prize for “excellence in publishing, advocacy for writers, and a unique contribution to the strength of the overall literary community.”
Praise & Recognition
``With every issue, Bellevue Literary Review probes our understanding of the human body and mind in new ways. It is essential reading for anyone who deals with sickness and health, anyone interested in narrative medicine, anyone who simply needs a dose of deep grace and humanity.”
“The editors have produced a journal of uncommon literary quality.”
“I subscribe and receive literally hundreds of magazines every year. Of all those magazines, none stands out more than Bellevue Literary Review.”
“These two non-fiction pieces in BLR are powerful, honest, and heartrending. They lifted me up because of the truths released onto the pages. Both deal with problems our family is suffering through, so on a personal level, the authors are helping me grapple.”
“BLR's contents are at once practically instructive, and yet intangibly inspiring and utterly gripping. I can’t imagine my work as a writer, or a doctor, without it.”
“After reading it cover to cover, I came away walloped by the breadth and depth of the pain it highlights.”
“No human thing is more universal than illness, in all its permutations, and no literary publication holds more credibility on the subject than Bellevue Literary Review.”
“A kaleidoscope of creativity. . . The selections are unsentimental and often unpredictable.”
“What is most impressive about BLR, though, is how the editors can stretch their own boundaries.”
“Ask any healthcare worker, ask any patient who has come back from illness and fear, and you will hear stories that might change your life. That's what BLR offers.”
“BLR is loyal to its theme but never constrained by it, uncovering boundless tonal and narrative possibilities as it contemplates the body as a physical entity, probes the manifestation of mental illness, or reckons with how the racialized and gendered body is perceived.”
“BLR is open to many modes and styles of work; it has no house style except humanity (though excellent editing doesn't hurt either).”





















