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BLR 25th anniversary ~~ Issue 41 highlights
When BLR reached a milestone, plus much more as we continue to share issue highlights throughout our 25th anniversary year. // continue reading
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BLR 25th Anniversary Celebration
Celebrate BLR’s 25th Anniversary with us on November 12 at The Century Club in New York City! // continue reading
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Applications are open for the new BLR Editorial Fellowship
BLR’s new Editorial Fellowship is a year-long mentorship program designed to introduce writers to editorial pathways and support literary engagement and citizenship. // continue reading
— See what’s new with us at BLR —
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Applications are open for the new BLR Editorial Fellowship
BLR’s new Editorial Fellowship is a year-long mentorship program designed to introduce writers to editorial pathways and support literary engagement and citizenship. // continue reading
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Call for Submissions: Theme Issue on Migrations
From September 1 to December 31, 2026, we are accepting submissions for a special theme issue on Migrations. // continue reading
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Coming soon! BLR’s 25th anniversary issue
Along with a stellar mix of fiction, nonfiction, and poetry, the anniversary issue of BLR includes special features including an art insert and roundtable about writing and healing. // continue reading
— Come join us, online, or in person —
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BLR 25th Anniversary Celebration
Celebrate BLR’s 25th Anniversary with us on November 12 at The Century Club in New York City! // continue reading
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The One-Breath Poem: A BLR Haiku Workshop
In this special BLR workshop, explore haiku as a practice of presence and attention. // continue reading
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Bellevue Literary Review: 2026 Fall Reading
Join us on October 22 to celebrate the launch of BLR’s special 25th anniversary issue; hear from the issue’s contributors live as they read from their work. // continue reading
— Read interviews with BLR authors, editors, readers, and more —
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Interview: Laura E. Garrard
“I found capturing moments through poetry, rather than summarizing the entire cancer experience, to be therapeutic rather than draining.” // continue reading
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Interview: Lara Palmqvist
“The very idea that no story is final—be it the story of one’s own self, or the story of a nation—is ultimately something in which I find great hope.” // continue reading
— A new set of great reads with each click —
- fiction
- nonfiction
- poetry
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Battenkill
People need the company of other people. It’s how people are made. They can’t help it. This need can be degrading to a person’s soul, if souls are real. // continue reading
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Hallandale Beach, 1987
by Dan Reiter. “It is not a miracle of faith, but a miracle of perseverance that delivers them both to high ground, the boy wincing under her bruising grip, protesting, I was joking, I could stand all the time, and… // continue reading
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The Orchard
by Lauren Green. “When the bell finally rings, waste no time. Grab your Kipling from the cubby and head straight to the front of the carpool line.” // continue reading
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by Sunny Teich. “My sister and I are resting in our cabin on the Botel. We got excited when we saw the reviews on TripAdvisor. People did not mince words: it was a hotel inside of a boat, and the… // continue reading
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IN THE MARGIN
by Ha Jin. “For many years I refused to be an exile, claiming that I am an immigrant, someone who chose to move to a new country voluntarily.” // continue reading
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The Color of Sound
by Judy Rowley. “Almost every night throughout my childhood I prayed that a miracle would occur, that I would be able to hear perfectly one day.” // continue reading
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Day 1,301
by Judith Harris. “There will be a worse day. He will live / long enough to not recognize me at all, / and I sense it drawing nearer…” // continue reading
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Breaking the Fever
by Robert Carr. “The tender of your reflection / inverted in chrome / as a kettle boils…” // continue reading
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When the Self Goes, It Goes
by Jean LeBlanc. “into the folds of the purple iris which, at dawn, / becomes the hub for spider silk, filament after / filament…” // continue reading
As featured on PBS News Hour’s CANVAS Series
Watch PBS News Hour’s Jeffrey Brown report on BLR’s 25th Anniversary, featuring BLR Editor Danielle Ofri and past BLR writers reflecting on why poetry, storytelling, and writing matter, especially in moments of illness.
Whiting Award Winner
BLR was awarded a Whiting Literary Magazine Prize for “excellence in publishing, advocacy for writers, and a unique contribution to the strength of the overall literary community.”
Praise & Recognition
``With every issue, Bellevue Literary Review probes our understanding of the human body and mind in new ways. It is essential reading for anyone who deals with sickness and health, anyone interested in narrative medicine, anyone who simply needs a dose of deep grace and humanity.”
“The editors have produced a journal of uncommon literary quality.”
“I subscribe and receive literally hundreds of magazines every year. Of all those magazines, none stands out more than Bellevue Literary Review.”
“These two non-fiction pieces in BLR are powerful, honest, and heartrending. They lifted me up because of the truths released onto the pages. Both deal with problems our family is suffering through, so on a personal level, the authors are helping me grapple.”
“BLR's contents are at once practically instructive, and yet intangibly inspiring and utterly gripping. I can’t imagine my work as a writer, or a doctor, without it.”
“After reading it cover to cover, I came away walloped by the breadth and depth of the pain it highlights.”
“No human thing is more universal than illness, in all its permutations, and no literary publication holds more credibility on the subject than Bellevue Literary Review.”
“A kaleidoscope of creativity. . . The selections are unsentimental and often unpredictable.”
“What is most impressive about BLR, though, is how the editors can stretch their own boundaries.”
“Ask any healthcare worker, ask any patient who has come back from illness and fear, and you will hear stories that might change your life. That's what BLR offers.”
“BLR is loyal to its theme but never constrained by it, uncovering boundless tonal and narrative possibilities as it contemplates the body as a physical entity, probes the manifestation of mental illness, or reckons with how the racialized and gendered body is perceived.”
“BLR is open to many modes and styles of work; it has no house style except humanity (though excellent editing doesn't hurt either).”



















