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— Everything BLR —
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BLR 25th anniversary ~~ Issue 23 highlights
Meditations on family and fragility, plus much more as we continue to share issue highlights throughout our 25th anniversary year. // continue reading
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Creativity in Medicine: Navigating Uncertainty through Art and Literature
Explore how poetry, stories, and visual art can help us make sense of medicine’s complexities in this new online class. // continue reading
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BLR 25th anniversary ~~ Issue 22 highlights
A short history of nursing, plus much more as we continue to share issue highlights throughout our 25th anniversary year. // continue reading
— See what’s new with us at BLR —
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BLR Spring Reading with Authors from Issue 50
Join us on May 28 to celebrate the launch of Issue 50. We’ll hear from the issue’s authors live as they share their stories, essays, and poems. // continue reading
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Announcing the BLR Book Club pick
We’re excited to announce our first pick for the BLR Book Club: Fire Exit, a novel by Morgan Talty. Named a Best Book of the Year by TIME, The New Yorker, ELLE, NPR, and Harper’s… // continue reading
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Announcing the 2027 BLR Literary Prizes Judges
Meet our 2027 BLR Literary Prize judges: Natalie Diaz, Daniel Mason, and Meghan O’Rourke. Submit poetry, fiction and nonfiction from March 1 to July 1, 2026. // continue reading
— Come join us, online, or in person —
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Creativity in Medicine: Navigating Uncertainty through Art and Literature
Explore how poetry, stories, and visual art can help us make sense of medicine’s complexities in this new online class. // continue reading
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BLR BookTalk with Author Morgan Talty
Join us on June 11 for a live conversation as we dive into Morgan’s book Fire Exit, which was the inaugural selection for BLR’s new Book Club. // continue reading
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BLR Spring Reading with Authors from Issue 50
Join us on May 28 to celebrate the launch of Issue 50. We’ll hear from the issue’s authors live as they share their stories, essays, and poems. // continue reading
— Read interviews with BLR authors, editors, readers, and more —
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Interview: Lara Palmqvist
“The very idea that no story is final—be it the story of one’s own self, or the story of a nation—is ultimately something in which I find great hope.” // continue reading
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Interview: Sabah Parsa
“Humor is the easiest for me to write in any piece, fiction or nonfiction.” // continue reading
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Interview: Jack Coulehan
“Clinical care provides the subject matter for many of my poems, and some of the themes I explore in them…have driven a process of self-discovery that I think has made me a better doctor.” // continue reading
— A new set of great reads with each click —
- fiction
- nonfiction
- poetry
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SUTHY Syndrome
by Hollis Seamon. “I shit you not. Right in front of the elevator that spits you into our hospice, there is—get ready for this—a harpist. I mean, isn’t that like a teensy bit premature?” // continue reading
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We the Mothers
Kathi Hansen “We’re not saying our boys are angels, … we’re just saying that we the mothers didn’t need to teach our boys not to rape.” // continue reading
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Evacuation Instructions
by Elliott Hold. “With the fat stripped away, she is her essential self. They don’t tell you how beautiful people can be when they’re dying.” // continue reading
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Carrying History
Sahar Delijani. “I am a child of the Iranian revolution. In 1983, my mother gave birth to me in Evin Prison, one of Iran’s most notorious jails.” // continue reading
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Flu Shot
by David Watts. “She stands in my examining room unable to sit, pacing, then stopping tensely, as if paralyzed by the urge to pace. Three times she has made this appointment, three times a no-show.” // continue reading
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Calling Card
by Mary Luce. “It was a chilly November afternoon in a southern town so small it never made it to a map. I was in the bedroom typing when I heard the noise and then my mother’s scream. She somehow… // continue reading
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Bones
by Anne Pierson Wiese. “Big leg bones / of cows sawed / into round sections / that when broiled / erupt thick burps of marrow…” // continue reading
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A SESTINA OF BAD NEWS
by Alex Johansson. “There are more important things I should be doing at the age of forty-two,” / you say, showing me photos of your daughter in a pink, fluffy tutu and I…” // continue reading
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Chaas Curry
by E. Hume Covey. “Two months into her illness, Pat / lay in pain, nearly immobile, / nourished by pills and liquids, / no appetite even for favorite foods…” // continue reading
As featured on PBS News Hour’s CANVAS Series
Watch PBS News Hour’s Jeffrey Brown report on BLR’s 25th Anniversary, featuring BLR Editor Danielle Ofri and past BLR writers reflecting on why poetry, storytelling, and writing matter, especially in moments of illness.
Whiting Award Winner
BLR was awarded a Whiting Literary Magazine Prize for “excellence in publishing, advocacy for writers, and a unique contribution to the strength of the overall literary community.”
Praise & Recognition
``With every issue, Bellevue Literary Review probes our understanding of the human body and mind in new ways. It is essential reading for anyone who deals with sickness and health, anyone interested in narrative medicine, anyone who simply needs a dose of deep grace and humanity.”
“The editors have produced a journal of uncommon literary quality.”
“I subscribe and receive literally hundreds of magazines every year. Of all those magazines, none stands out more than Bellevue Literary Review.”
“These two non-fiction pieces in BLR are powerful, honest, and heartrending. They lifted me up because of the truths released onto the pages. Both deal with problems our family is suffering through, so on a personal level, the authors are helping me grapple.”
“BLR's contents are at once practically instructive, and yet intangibly inspiring and utterly gripping. I can’t imagine my work as a writer, or a doctor, without it.”
“After reading it cover to cover, I came away walloped by the breadth and depth of the pain it highlights.”
“No human thing is more universal than illness, in all its permutations, and no literary publication holds more credibility on the subject than Bellevue Literary Review.”
“A kaleidoscope of creativity. . . The selections are unsentimental and often unpredictable.”
“What is most impressive about BLR, though, is how the editors can stretch their own boundaries.”
“Ask any healthcare worker, ask any patient who has come back from illness and fear, and you will hear stories that might change your life. That's what BLR offers.”
“BLR is loyal to its theme but never constrained by it, uncovering boundless tonal and narrative possibilities as it contemplates the body as a physical entity, probes the manifestation of mental illness, or reckons with how the racialized and gendered body is perceived.”
“BLR is open to many modes and styles of work; it has no house style except humanity (though excellent editing doesn't hurt either).”





















