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Call for Submissions: Theme Issue on Migrations
From September 1 to December 31, 2026, we are accepting submissions for a special theme issue on Migrations. // continue reading
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BLR 25th anniversary ~~ Issue 32 highlights
The nuances of relationships impacted by illness, plus much more as we continue to share issue highlights throughout our 25th anniversary year. // continue reading
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Creativity in Medicine: Navigating Uncertainty through Art and Literature
Explore how poetry, stories, and visual art can help us make sense of medicine’s complexities in this new online class. // continue reading
— See what’s new with us at BLR —
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Call for Submissions: Theme Issue on Migrations
From September 1 to December 31, 2026, we are accepting submissions for a special theme issue on Migrations. // continue reading
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Angela Tang-Tan Wins Pushcart Prize for “Two Thoracotomies”
BLR is thrilled to announce that “Two Thoracotomies” by Angela Tang-Tan has won a Pushcart Prize. // continue reading
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BLR Spring Reading with Authors from Issue 50
Join us on May 28 to celebrate the launch of Issue 50. We’ll hear from the issue’s authors live as they share their stories, essays, and poems. // continue reading
— Come join us, online, or in person —
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Creativity in Medicine: Navigating Uncertainty through Art and Literature
Explore how poetry, stories, and visual art can help us make sense of medicine’s complexities in this new online class. // continue reading
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Art and Medicine: Supporting Compassion Through Creativity
Enjoy cocktails, conversation, and community, while supporting BLR’s Art in Medicine program. // continue reading
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Celebration of Poetry and Healing
BLR is thrilled to be part of the 2026 poetry series at Bryant Park’s Reading Room. All are welcome — mark your calendar for September 1! // continue reading
— Read interviews with BLR authors, editors, readers, and more —
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Interview: Laura E. Garrard
“I found capturing moments through poetry, rather than summarizing the entire cancer experience, to be therapeutic rather than draining.” // continue reading
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Interview: Lara Palmqvist
“The very idea that no story is final—be it the story of one’s own self, or the story of a nation—is ultimately something in which I find great hope.” // continue reading
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Interview: Sabah Parsa
“Humor is the easiest for me to write in any piece, fiction or nonfiction.” // continue reading
— A new set of great reads with each click —
- fiction
- nonfiction
- poetry
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The Third Story
by Rebecca Wurtz. “Paul once thought that the talent and ambition that had propelled him into graduate school as the first Negro PhD in pharmacology would keep propelling him, perhaps into a chairmanship at a prestigious Negro university. But life… // continue reading
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In Praise of Silence
by Moshe Zvi Marvit. “Lillian tried to forget through silence, and though she could hide the facts from herself, she didn’t know how to keep the fears away.” // continue reading
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High Water Mark
by Suzanne McConnell. “I regard myself in the mirror he holds up. It is spring, but damp here in Venice. The necklace lies on my blue sweater like fire.” // continue reading
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The Next Bullet
by Jeremy Griffin. “Despite my respect for my students, I was afraid of them. Afraid of the way they watched me as I delivered a lecture, afraid of whispers, silences.” // continue reading
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by Pamela Schmid. “In the summer of ’76, my little sister and I were shipped off to Camp Rim Rock, set beside the leech-infested Capacon River in the woods of West Virginia.” // continue reading
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Quarantine
by Matthew Davis. “I knew plague existed in Mongolia, but I had always thought it stayed in smaller towns further west.” // continue reading
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The Cradles of St. Kilda
by Catharine Clark-Sayles. “From 1850 to 1890 forty-one of fifty-six infants born on St. Kilda in the Hebrides died of tetanus caused by the custom of anointing the umbilical stump with oil stored in the dried stomach of a goose.” // continue reading
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Relic
by Stacy Nigliazzo. “Quietly, they concede, / leaving pennies / at your feet.” // continue reading
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Jellyfish and Grit
by Maya Klauber. “I awake in a hospital bed to what could / only be a thousand tiny jellyfish infusing / my veins. Typical. I came here to be healed, / and now I’ve got a jellyfish problem.” // continue reading
As featured on PBS News Hour’s CANVAS Series
Watch PBS News Hour’s Jeffrey Brown report on BLR’s 25th Anniversary, featuring BLR Editor Danielle Ofri and past BLR writers reflecting on why poetry, storytelling, and writing matter, especially in moments of illness.
Whiting Award Winner
BLR was awarded a Whiting Literary Magazine Prize for “excellence in publishing, advocacy for writers, and a unique contribution to the strength of the overall literary community.”
Praise & Recognition
``With every issue, Bellevue Literary Review probes our understanding of the human body and mind in new ways. It is essential reading for anyone who deals with sickness and health, anyone interested in narrative medicine, anyone who simply needs a dose of deep grace and humanity.”
“The editors have produced a journal of uncommon literary quality.”
“I subscribe and receive literally hundreds of magazines every year. Of all those magazines, none stands out more than Bellevue Literary Review.”
“These two non-fiction pieces in BLR are powerful, honest, and heartrending. They lifted me up because of the truths released onto the pages. Both deal with problems our family is suffering through, so on a personal level, the authors are helping me grapple.”
“BLR's contents are at once practically instructive, and yet intangibly inspiring and utterly gripping. I can’t imagine my work as a writer, or a doctor, without it.”
“After reading it cover to cover, I came away walloped by the breadth and depth of the pain it highlights.”
“No human thing is more universal than illness, in all its permutations, and no literary publication holds more credibility on the subject than Bellevue Literary Review.”
“A kaleidoscope of creativity. . . The selections are unsentimental and often unpredictable.”
“What is most impressive about BLR, though, is how the editors can stretch their own boundaries.”
“Ask any healthcare worker, ask any patient who has come back from illness and fear, and you will hear stories that might change your life. That's what BLR offers.”
“BLR is loyal to its theme but never constrained by it, uncovering boundless tonal and narrative possibilities as it contemplates the body as a physical entity, probes the manifestation of mental illness, or reckons with how the racialized and gendered body is perceived.”
“BLR is open to many modes and styles of work; it has no house style except humanity (though excellent editing doesn't hurt either).”





















