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— Everything BLR —
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BLR 25th anniversary ~~ Issue 24 highlights
At the eye of the storm, plus much more as we continue to share issue highlights throughout our 25th anniversary year. // continue reading
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Celebration of Poetry and Healing
BLR is thrilled to be part of the 2026 poetry series at Bryant Park’s Reading Room. All are welcome — mark your calendar for September 1! // continue reading
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BLR 25th anniversary ~~ Issue 23 highlights
Meditations on family and fragility, plus much more as we continue to share issue highlights throughout our 25th anniversary year. // continue reading
— See what’s new with us at BLR —
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BLR Spring Reading with Authors from Issue 50
Join us on May 28 to celebrate the launch of Issue 50. We’ll hear from the issue’s authors live as they share their stories, essays, and poems. // continue reading
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Announcing the BLR Book Club pick
We’re excited to announce our first pick for the BLR Book Club: Fire Exit, a novel by Morgan Talty. Named a Best Book of the Year by TIME, The New Yorker, ELLE, NPR, and Harper’s… // continue reading
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Announcing the 2027 BLR Literary Prizes Judges
Meet our 2027 BLR Literary Prize judges: Natalie Diaz, Daniel Mason, and Meghan O’Rourke. Submit poetry, fiction and nonfiction from March 1 to July 1, 2026. // continue reading
— Come join us, online, or in person —
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Celebration of Poetry and Healing
BLR is thrilled to be part of the 2026 poetry series at Bryant Park’s Reading Room. All are welcome — mark your calendar for September 1! // continue reading
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Creativity in Medicine: Navigating Uncertainty through Art and Literature
Explore how poetry, stories, and visual art can help us make sense of medicine’s complexities in this new online class. // continue reading
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BLR BookTalk with Author Morgan Talty
Join us on June 11 for a live conversation as we dive into Morgan’s book Fire Exit, which was the inaugural selection for BLR’s new Book Club. // continue reading
— Read interviews with BLR authors, editors, readers, and more —
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Interview: Lara Palmqvist
“The very idea that no story is final—be it the story of one’s own self, or the story of a nation—is ultimately something in which I find great hope.” // continue reading
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Interview: Sabah Parsa
“Humor is the easiest for me to write in any piece, fiction or nonfiction.” // continue reading
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Interview: Jack Coulehan
“Clinical care provides the subject matter for many of my poems, and some of the themes I explore in them…have driven a process of self-discovery that I think has made me a better doctor.” // continue reading
— A new set of great reads with each click —
- fiction
- nonfiction
- poetry
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The Cult of Me
by Allison Amend. “I’m not a suspicious person; I think that the quickest way between two points is a straight line and that the simplest explanation is the truest. I don’t care if our atmosphere is being eaten away by… // continue reading
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Death Defiant Bomba or What To Wear When Your Boo Gets Cancer
by Lilliam Rivera. “You’ll wear five-inch black pumps because they make that annoying noise that alerts everyone everywhere in the whole wide world that you’re arriving.” // continue reading
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Last Stop
by Daniel Pope. “Outside the train station a man lies on the concrete brick walkway, his head resting in a pool of blood. His skull is buzzed and the blood leaks brightly out of a wound above his left temple.… // continue reading
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Cancer, So Far
by Elizabeth Crowell. “Last summer, the moths clung to the shingles of our house. They fluttered right past us, mottled wings snapping, through our open door.” // continue reading
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Breaking Point
by Eileen Cronin. “Our heads are filled with the native rhythm of an aerobic beat and hot anticipation.” // continue reading
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Conduit
by River Adams. “This is a temple for them, I thought. This is where the gods will be merciful or not. And I speak for the gods.” // continue reading
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Crayons
by Emily Sullivan Sanford. “Every spring I must explain my arms to children, / before my legs arrive in summer.” // continue reading
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Mood Swings
by Erica Funkhouser. “Sadness calls for inadequate outerwear. / Exhilaration for ultra violet. / All feelings are unhealthy.” // continue reading
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O To Be a Semiautomatic Weapon
by Marie McGrath. “Imagine me: fearsome, protected, / my skull a clean and empty chamber…” // continue reading
As featured on PBS News Hour’s CANVAS Series
Watch PBS News Hour’s Jeffrey Brown report on BLR’s 25th Anniversary, featuring BLR Editor Danielle Ofri and past BLR writers reflecting on why poetry, storytelling, and writing matter, especially in moments of illness.
Whiting Award Winner
BLR was awarded a Whiting Literary Magazine Prize for “excellence in publishing, advocacy for writers, and a unique contribution to the strength of the overall literary community.”
Praise & Recognition
``With every issue, Bellevue Literary Review probes our understanding of the human body and mind in new ways. It is essential reading for anyone who deals with sickness and health, anyone interested in narrative medicine, anyone who simply needs a dose of deep grace and humanity.”
“The editors have produced a journal of uncommon literary quality.”
“I subscribe and receive literally hundreds of magazines every year. Of all those magazines, none stands out more than Bellevue Literary Review.”
“These two non-fiction pieces in BLR are powerful, honest, and heartrending. They lifted me up because of the truths released onto the pages. Both deal with problems our family is suffering through, so on a personal level, the authors are helping me grapple.”
“BLR's contents are at once practically instructive, and yet intangibly inspiring and utterly gripping. I can’t imagine my work as a writer, or a doctor, without it.”
“After reading it cover to cover, I came away walloped by the breadth and depth of the pain it highlights.”
“No human thing is more universal than illness, in all its permutations, and no literary publication holds more credibility on the subject than Bellevue Literary Review.”
“A kaleidoscope of creativity. . . The selections are unsentimental and often unpredictable.”
“What is most impressive about BLR, though, is how the editors can stretch their own boundaries.”
“Ask any healthcare worker, ask any patient who has come back from illness and fear, and you will hear stories that might change your life. That's what BLR offers.”
“BLR is loyal to its theme but never constrained by it, uncovering boundless tonal and narrative possibilities as it contemplates the body as a physical entity, probes the manifestation of mental illness, or reckons with how the racialized and gendered body is perceived.”
“BLR is open to many modes and styles of work; it has no house style except humanity (though excellent editing doesn't hurt either).”






















