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— Everything BLR —
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BLR 25th anniversary ~~ Issue 27 highlights
An exploration of our environment’s fragile nature, plus much more as we continue to share issue highlights throughout our 25th anniversary year. // continue reading
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BLR Editor Danielle Ofri on “Why Medicine Needs Literary Magazines”
“Maybe a literary journal is not so much pages bound onto a spine, but rather a community of people—writers, readers, listeners, thinkers—who find solace in the comforts and confrontations of the written word.” // continue reading
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BLR 25th anniversary ~~ Issue 26 highlights
The circus comes to Bellevue, plus much more as we continue to share issue highlights throughout our 25th anniversary year. // continue reading
— See what’s new with us at BLR —
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Angela Tang-Tan Wins Pushcart Prize for “Two Thoracotomies”
BLR is thrilled to announce that “Two Thoracotomies” by Angela Tang-Tan has won a Pushcart Prize. // continue reading
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BLR Spring Reading with Authors from Issue 50
Join us on May 28 to celebrate the launch of Issue 50. We’ll hear from the issue’s authors live as they share their stories, essays, and poems. // continue reading
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Announcing the BLR Book Club pick
We’re excited to announce our first pick for the BLR Book Club: Fire Exit, a novel by Morgan Talty. Named a Best Book of the Year by TIME, The New Yorker, ELLE, NPR, and Harper’s… // continue reading
— Come join us, online, or in person —
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Celebration of Poetry and Healing
BLR is thrilled to be part of the 2026 poetry series at Bryant Park’s Reading Room. All are welcome — mark your calendar for September 1! // continue reading
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Creativity in Medicine: Navigating Uncertainty through Art and Literature
Explore how poetry, stories, and visual art can help us make sense of medicine’s complexities in this new online class. // continue reading
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BLR BookTalk with Author Morgan Talty
Watch a conversation diving into Morgan’s book Fire Exit, which was the inaugural selection for BLR’s Book Club. // continue reading
— Read interviews with BLR authors, editors, readers, and more —
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Interview: Laura E. Garrard
“I found capturing moments through poetry, rather than summarizing the entire cancer experience, to be therapeutic rather than draining.” // continue reading
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Interview: Lara Palmqvist
“The very idea that no story is final—be it the story of one’s own self, or the story of a nation—is ultimately something in which I find great hope.” // continue reading
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Interview: Sabah Parsa
“Humor is the easiest for me to write in any piece, fiction or nonfiction.” // continue reading
— A new set of great reads with each click —
- fiction
- nonfiction
- poetry
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To The River
by Kelly Flanigan. “I walk into Scott’s kitchen, sweaty from basketball and needing something cold to drink, and there’s his mom in just her underwear…” // continue reading
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Translation Memory
by Midge Raymond. “For days he came home to find her in the same spot, staring at an empty street. When she turned to him, her eyes looked like thin wet glass, as if the slightest sound could shatter them.” // continue reading
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The Foreign Cinema
by Lauren Alwan. “One day in those first months after her mother’s death, Cenem resolved to finally see Los Angeles. She’d spent the afternoon at one of the cheap matinees, seeing Casablanca yet again, and after, went directly to the used bookstore off… // continue reading
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A Love Story All the Same
by Claire A. Berman. “…I understood that he’d been expressing his own insecurities, not mine. I entered new relationships full of trepidation. Symptoms and appearance were inextricably bound together in my mind, necessitating constant body vigilance to control them.” // continue reading
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The Tag
by Elizabeth Crowell. “Dr. H’s earnestness was more apparent the second time we met with him, when we weren’t hearing the bad news for the first time. In a full-lit room not dimmed for ultrasounds, he was a handsome, dark-haired… // continue reading
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At the Mercy Meal
by Lindsay Starck. “If this scene—these baskets of bread, this mediocre rice, that parking lot awash with light—is familiar to me from all the other funerals we’ve attended here, how much more familiar is it to him? He drags his… // continue reading
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“Silence = Death”
by Rafael Campo. “His worn-out T-shirt, black as mourning, black / as countless deaths, surprises me— it screams…” // continue reading
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Intimate Contact
by Elisavet Makridis. “To straighten her spinal column, / Frida suspends nearly vertical / with sacks of sand tied to her feet.” // continue reading
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My Mother is a Fish
by Kailey Tedesco. “My mother’s old kimono cradles me / so that I can become a fish, wet with / water I can drape about my shoulders.” // continue reading
As featured on PBS News Hour’s CANVAS Series
Watch PBS News Hour’s Jeffrey Brown report on BLR’s 25th Anniversary, featuring BLR Editor Danielle Ofri and past BLR writers reflecting on why poetry, storytelling, and writing matter, especially in moments of illness.
Whiting Award Winner
BLR was awarded a Whiting Literary Magazine Prize for “excellence in publishing, advocacy for writers, and a unique contribution to the strength of the overall literary community.”
Praise & Recognition
``With every issue, Bellevue Literary Review probes our understanding of the human body and mind in new ways. It is essential reading for anyone who deals with sickness and health, anyone interested in narrative medicine, anyone who simply needs a dose of deep grace and humanity.”
“The editors have produced a journal of uncommon literary quality.”
“I subscribe and receive literally hundreds of magazines every year. Of all those magazines, none stands out more than Bellevue Literary Review.”
“These two non-fiction pieces in BLR are powerful, honest, and heartrending. They lifted me up because of the truths released onto the pages. Both deal with problems our family is suffering through, so on a personal level, the authors are helping me grapple.”
“BLR's contents are at once practically instructive, and yet intangibly inspiring and utterly gripping. I can’t imagine my work as a writer, or a doctor, without it.”
“After reading it cover to cover, I came away walloped by the breadth and depth of the pain it highlights.”
“No human thing is more universal than illness, in all its permutations, and no literary publication holds more credibility on the subject than Bellevue Literary Review.”
“A kaleidoscope of creativity. . . The selections are unsentimental and often unpredictable.”
“What is most impressive about BLR, though, is how the editors can stretch their own boundaries.”
“Ask any healthcare worker, ask any patient who has come back from illness and fear, and you will hear stories that might change your life. That's what BLR offers.”
“BLR is loyal to its theme but never constrained by it, uncovering boundless tonal and narrative possibilities as it contemplates the body as a physical entity, probes the manifestation of mental illness, or reckons with how the racialized and gendered body is perceived.”
“BLR is open to many modes and styles of work; it has no house style except humanity (though excellent editing doesn't hurt either).”























