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BLR 25th anniversary ~~ Issue 42 highlights
Cover art with a fun fact, plus much more as we continue to share issue highlights throughout our 25th anniversary year. // continue reading
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Applications are open for the new BLR Editorial Fellowship
BLR’s new Editorial Fellowship is a year-long mentorship program designed to introduce writers to editorial pathways and support literary engagement and citizenship. // continue reading
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BLR 25th Anniversary Celebration
Celebrate BLR’s 25th Anniversary with us on November 12 at The Century Club in New York City! // continue reading
— See what’s new with us at BLR —
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Applications are open for the new BLR Editorial Fellowship
BLR’s new Editorial Fellowship is a year-long mentorship program designed to introduce writers to editorial pathways and support literary engagement and citizenship. // continue reading
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Call for Submissions: Theme Issue on Migrations
From September 1 to December 31, 2026, we are accepting submissions for a special theme issue on Migrations. // continue reading
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Coming soon! BLR’s 25th anniversary issue
Along with a stellar mix of fiction, nonfiction, and poetry, the anniversary issue of BLR includes special features including an art insert and roundtable about writing and healing. // continue reading
— Come join us, online, or in person —
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BLR 25th Anniversary Celebration
Celebrate BLR’s 25th Anniversary with us on November 12 at The Century Club in New York City! // continue reading
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The One-Breath Poem: A BLR Haiku Workshop
In this special BLR workshop, explore haiku as a practice of presence and attention. // continue reading
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Bellevue Literary Review: 2026 Fall Reading
Join us on October 22 to celebrate the launch of BLR’s special 25th anniversary issue; hear from the issue’s contributors live as they read from their work. // continue reading
— Read interviews with BLR authors, editors, readers, and more —
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Interview: Laura E. Garrard
“I found capturing moments through poetry, rather than summarizing the entire cancer experience, to be therapeutic rather than draining.” // continue reading
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Interview: Lara Palmqvist
“The very idea that no story is final—be it the story of one’s own self, or the story of a nation—is ultimately something in which I find great hope.” // continue reading
— A new set of great reads with each click —
- fiction
- nonfiction
- poetry
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by Galen Schram. “You notice the weathered scar first, the wrinkled tilde pinching brown to pink skin where her pierced nipple once shocked her late husband.” // continue reading
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Rocket
by Jason Baum. “He asks if he can put the radio to a country station…the guy is going into space for a year so I let him. Who knows what kind of reception he’ll be able to get up there.” // continue reading
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In Lieu of a Better Plan
by Elizabeth Downs. “One otherwise pleasant evening at the asylum, I—a known murderess and recently declared Vice President of Ward G—escape through a partially opened, third-story window.” // continue reading
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In My Head
by Avra Aron. “You are twelve years old and your mind is like a game of hot potato. Your thoughts are quick and jerky, and you need to get past them before you get burned.” // continue reading
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Tethered to the Body
by Jane Kokernak. “There is only illness, and there is no way to make that sexy. After several years as a medical device wearer, I know.” // continue reading
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Okahandja Lessons
by Emily Rapp. “Welcome to Namibia! The battered wooden sign stood at the edge of a highway that was strewn with piles of twisted, smoking metal.” // continue reading
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Surrender, A Prayer for My Mother
by Lindsay Wilson. “Listen, dark one, as the sun sets, / the boxelder beetles come down / from the west wall to fly back…” // continue reading
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The Call
by Terry M. Dugan. “I could tell from his voice / something was horribly wrong. / I’m okay he said over and over / in a tone that told me he was anything but.” // continue reading
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The Initiation
by Alicia Ostriker. “Boy, he said, you got to fill a graveyard / before you know this business / and you just did / row one, plot one.” // continue reading
As featured on PBS News Hour’s CANVAS Series
Watch PBS News Hour’s Jeffrey Brown report on BLR’s 25th Anniversary, featuring BLR Editor Danielle Ofri and past BLR writers reflecting on why poetry, storytelling, and writing matter, especially in moments of illness.
Whiting Award Winner
BLR was awarded a Whiting Literary Magazine Prize for “excellence in publishing, advocacy for writers, and a unique contribution to the strength of the overall literary community.”
Praise & Recognition
``With every issue, Bellevue Literary Review probes our understanding of the human body and mind in new ways. It is essential reading for anyone who deals with sickness and health, anyone interested in narrative medicine, anyone who simply needs a dose of deep grace and humanity.”
“The editors have produced a journal of uncommon literary quality.”
“I subscribe and receive literally hundreds of magazines every year. Of all those magazines, none stands out more than Bellevue Literary Review.”
“These two non-fiction pieces in BLR are powerful, honest, and heartrending. They lifted me up because of the truths released onto the pages. Both deal with problems our family is suffering through, so on a personal level, the authors are helping me grapple.”
“BLR's contents are at once practically instructive, and yet intangibly inspiring and utterly gripping. I can’t imagine my work as a writer, or a doctor, without it.”
“After reading it cover to cover, I came away walloped by the breadth and depth of the pain it highlights.”
“No human thing is more universal than illness, in all its permutations, and no literary publication holds more credibility on the subject than Bellevue Literary Review.”
“A kaleidoscope of creativity. . . The selections are unsentimental and often unpredictable.”
“What is most impressive about BLR, though, is how the editors can stretch their own boundaries.”
“Ask any healthcare worker, ask any patient who has come back from illness and fear, and you will hear stories that might change your life. That's what BLR offers.”
“BLR is loyal to its theme but never constrained by it, uncovering boundless tonal and narrative possibilities as it contemplates the body as a physical entity, probes the manifestation of mental illness, or reckons with how the racialized and gendered body is perceived.”
“BLR is open to many modes and styles of work; it has no house style except humanity (though excellent editing doesn't hurt either).”




















