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Angela Tang-Tan Wins Pushcart Prize for “Two Thoracotomies”
BLR is thrilled to announce that “Two Thoracotomies” by Angela Tang-Tan has won a Pushcart Prize. // continue reading
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BLR 25th anniversary ~~ Issue 24 highlights
At the eye of the storm, plus much more as we continue to share issue highlights throughout our 25th anniversary year. // continue reading
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Celebration of Poetry and Healing
BLR is thrilled to be part of the 2026 poetry series at Bryant Park’s Reading Room. All are welcome — mark your calendar for September 1! // continue reading
— See what’s new with us at BLR —
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Angela Tang-Tan Wins Pushcart Prize for “Two Thoracotomies”
BLR is thrilled to announce that “Two Thoracotomies” by Angela Tang-Tan has won a Pushcart Prize. // continue reading
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BLR Spring Reading with Authors from Issue 50
Join us on May 28 to celebrate the launch of Issue 50. We’ll hear from the issue’s authors live as they share their stories, essays, and poems. // continue reading
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Announcing the BLR Book Club pick
We’re excited to announce our first pick for the BLR Book Club: Fire Exit, a novel by Morgan Talty. Named a Best Book of the Year by TIME, The New Yorker, ELLE, NPR, and Harper’s… // continue reading
— Come join us, online, or in person —
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Celebration of Poetry and Healing
BLR is thrilled to be part of the 2026 poetry series at Bryant Park’s Reading Room. All are welcome — mark your calendar for September 1! // continue reading
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Creativity in Medicine: Navigating Uncertainty through Art and Literature
Explore how poetry, stories, and visual art can help us make sense of medicine’s complexities in this new online class. // continue reading
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BLR BookTalk with Author Morgan Talty
Join us on June 11 for a live conversation as we dive into Morgan’s book Fire Exit, which was the inaugural selection for BLR’s new Book Club. // continue reading
— Read interviews with BLR authors, editors, readers, and more —
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Interview: Lara Palmqvist
“The very idea that no story is final—be it the story of one’s own self, or the story of a nation—is ultimately something in which I find great hope.” // continue reading
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Interview: Sabah Parsa
“Humor is the easiest for me to write in any piece, fiction or nonfiction.” // continue reading
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Interview: Jack Coulehan
“Clinical care provides the subject matter for many of my poems, and some of the themes I explore in them…have driven a process of self-discovery that I think has made me a better doctor.” // continue reading
— A new set of great reads with each click —
- fiction
- nonfiction
- poetry
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Winston Speaks
by Jill Caputo. “Winston sold candy at the bus station on Wednesdays because that was the only day Georgia could give him a ride there. He kept the goods in the pack on the back of his chair: Snickers, Milky… // continue reading
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The Gift of the Spanish Lady
by Marcia Calhoun Forecki. “The last words Mrs. Sommers said to her husband were: ‘And don’t let that girl have the run of the house.’” // continue reading
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Leviathan
by Jennifer Lee. “At what point, I wonder, does a person say enough is enough? I can’t go through with this; I didn’t pick the ending I’ve been given. I would dearly love to keep the next few years of… // continue reading
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Of Mothers and Monkeys
by Caitlin Kuehn. “My medical knowledge is limited to what I have learned here at the lab. All of it applicable only to non-human mammals.” // continue reading
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Illness as Muse
by Rafael Campo. “It is not unusual, after I’ve given a poetry reading, for some impossibly young writer from the audience to remark over the post-literary pretzels and Diet Coke, “Wow, your stuff is really depressing.’’ // continue reading
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Officium
by Siobhan McKenna. “’How do you do it? How do you watch people die day after day?’ He asked the question as we passed each other on the threshold of his wife’s room. He was leaving after having said all… // continue reading
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Lou Gehrig’s Army
by Catherine G. Wolf. “Some of us limped, and some drove motorized wheelchairs / in the graveyard, and those who had still had voices sang…” // continue reading
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The Cradles of St. Kilda
by Catharine Clark-Sayles. “From 1850 to 1890 forty-one of fifty-six infants born on St. Kilda in the Hebrides died of tetanus caused by the custom of anointing the umbilical stump with oil stored in the dried stomach of a goose.” // continue reading
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In the Briars
by Colleen McKee. “As I walked to Lake Divine, I remembered I’d forgotten / To fill my pockets with rocks. I’m the type who forgets…” // continue reading
As featured on PBS News Hour’s CANVAS Series
Watch PBS News Hour’s Jeffrey Brown report on BLR’s 25th Anniversary, featuring BLR Editor Danielle Ofri and past BLR writers reflecting on why poetry, storytelling, and writing matter, especially in moments of illness.
Whiting Award Winner
BLR was awarded a Whiting Literary Magazine Prize for “excellence in publishing, advocacy for writers, and a unique contribution to the strength of the overall literary community.”
Praise & Recognition
``With every issue, Bellevue Literary Review probes our understanding of the human body and mind in new ways. It is essential reading for anyone who deals with sickness and health, anyone interested in narrative medicine, anyone who simply needs a dose of deep grace and humanity.”
“The editors have produced a journal of uncommon literary quality.”
“I subscribe and receive literally hundreds of magazines every year. Of all those magazines, none stands out more than Bellevue Literary Review.”
“These two non-fiction pieces in BLR are powerful, honest, and heartrending. They lifted me up because of the truths released onto the pages. Both deal with problems our family is suffering through, so on a personal level, the authors are helping me grapple.”
“BLR's contents are at once practically instructive, and yet intangibly inspiring and utterly gripping. I can’t imagine my work as a writer, or a doctor, without it.”
“After reading it cover to cover, I came away walloped by the breadth and depth of the pain it highlights.”
“No human thing is more universal than illness, in all its permutations, and no literary publication holds more credibility on the subject than Bellevue Literary Review.”
“A kaleidoscope of creativity. . . The selections are unsentimental and often unpredictable.”
“What is most impressive about BLR, though, is how the editors can stretch their own boundaries.”
“Ask any healthcare worker, ask any patient who has come back from illness and fear, and you will hear stories that might change your life. That's what BLR offers.”
“BLR is loyal to its theme but never constrained by it, uncovering boundless tonal and narrative possibilities as it contemplates the body as a physical entity, probes the manifestation of mental illness, or reckons with how the racialized and gendered body is perceived.”
“BLR is open to many modes and styles of work; it has no house style except humanity (though excellent editing doesn't hurt either).”





















