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BLR 25th anniversary ~~ Issue 32 highlights
The nuances of relationships impacted by illness, plus much more as we continue to share issue highlights throughout our 25th anniversary year. // continue reading
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BLR 25th anniversary ~~ Issue 31 highlights
The art of memory, plus much more as we continue to share issue highlights throughout our 25th anniversary year. // continue reading
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Creativity in Medicine: Navigating Uncertainty through Art and Literature
Explore how poetry, stories, and visual art can help us make sense of medicine’s complexities in this new online class. // continue reading
— See what’s new with us at BLR —
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Angela Tang-Tan Wins Pushcart Prize for “Two Thoracotomies”
BLR is thrilled to announce that “Two Thoracotomies” by Angela Tang-Tan has won a Pushcart Prize. // continue reading
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BLR Spring Reading with Authors from Issue 50
Join us on May 28 to celebrate the launch of Issue 50. We’ll hear from the issue’s authors live as they share their stories, essays, and poems. // continue reading
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Announcing the BLR Book Club pick
We’re excited to announce our first pick for the BLR Book Club: Fire Exit, a novel by Morgan Talty. Named a Best Book of the Year by TIME, The New Yorker, ELLE, NPR, and Harper’s… // continue reading
— Come join us, online, or in person —
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Creativity in Medicine: Navigating Uncertainty through Art and Literature
Explore how poetry, stories, and visual art can help us make sense of medicine’s complexities in this new online class. // continue reading
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Art and Medicine: Supporting Compassion Through Creativity
Enjoy cocktails, conversation, and community, while supporting BLR’s Art in Medicine program. // continue reading
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Celebration of Poetry and Healing
BLR is thrilled to be part of the 2026 poetry series at Bryant Park’s Reading Room. All are welcome — mark your calendar for September 1! // continue reading
— Read interviews with BLR authors, editors, readers, and more —
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Interview: Laura E. Garrard
“I found capturing moments through poetry, rather than summarizing the entire cancer experience, to be therapeutic rather than draining.” // continue reading
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Interview: Lara Palmqvist
“The very idea that no story is final—be it the story of one’s own self, or the story of a nation—is ultimately something in which I find great hope.” // continue reading
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Interview: Sabah Parsa
“Humor is the easiest for me to write in any piece, fiction or nonfiction.” // continue reading
— A new set of great reads with each click —
- fiction
- nonfiction
- poetry
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The Little Things
by Joan Malerba-Foran. “I’ve never been what you would call a good sleeper. I make it through the night about twice a week, and those nights are never consecutive.” // continue reading
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Beenie at Fourteen
by Margaret Buckhanon. “While I wait for him to pull the trigger, I drive to the grocery store. Pick up milk, chewing gum, sponges. Drop off the dry cleaning: the dress I splattered with a spaghetti stain at Shana and… // continue reading
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Home Depot
by Robert Oldshue. “You know how it is. You think you’re married, you’re married to Albie forty-two, what is it, forty-three years, so at least you know Albie. Right?” // continue reading
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IN THE MARGIN
by Ha Jin. “For many years I refused to be an exile, claiming that I am an immigrant, someone who chose to move to a new country voluntarily.” // continue reading
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A Doctor in the Court of the King of Nepal
by Itzhak Kronzon. “I labored to decipher the pidgin English until I at last understood that the King of Nepal wanted me, Dr. Itzhak Kronzon of the Bronx Municipal Hospital, to come to his royal court.” // continue reading
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Drawing Blood
by Laura Johnsrude. “I spent a lot of time thinking about blood during my training years—hoping I could get enough of it, wondering which vein would yield the best supply of it, wishing the patients had more of it, calling… // continue reading
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Mrs. Eder’s Sunday School Class
by Brenna Working Lemieux. “Never mind that her fingers bow backwards, / they’re so lithe, that the bones below her skin / spoke like umbrella ribs, that the bible’s onion-skin / pages arch at her touch…” // continue reading
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Above the Angels
by Philip Levine. “A row of corrugated gray huts / hunkering down in the November rain. / Across the way the fire burns night and day / though unseen now in first light.” // continue reading
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Monodrama
by Rachel Hadas. “The asymmetrically lurching gait, / the austere paradox as of one hand clapping: / a unilateral dialogue.” // continue reading
As featured on PBS News Hour’s CANVAS Series
Watch PBS News Hour’s Jeffrey Brown report on BLR’s 25th Anniversary, featuring BLR Editor Danielle Ofri and past BLR writers reflecting on why poetry, storytelling, and writing matter, especially in moments of illness.
Whiting Award Winner
BLR was awarded a Whiting Literary Magazine Prize for “excellence in publishing, advocacy for writers, and a unique contribution to the strength of the overall literary community.”
Praise & Recognition
``With every issue, Bellevue Literary Review probes our understanding of the human body and mind in new ways. It is essential reading for anyone who deals with sickness and health, anyone interested in narrative medicine, anyone who simply needs a dose of deep grace and humanity.”
“The editors have produced a journal of uncommon literary quality.”
“I subscribe and receive literally hundreds of magazines every year. Of all those magazines, none stands out more than Bellevue Literary Review.”
“These two non-fiction pieces in BLR are powerful, honest, and heartrending. They lifted me up because of the truths released onto the pages. Both deal with problems our family is suffering through, so on a personal level, the authors are helping me grapple.”
“BLR's contents are at once practically instructive, and yet intangibly inspiring and utterly gripping. I can’t imagine my work as a writer, or a doctor, without it.”
“After reading it cover to cover, I came away walloped by the breadth and depth of the pain it highlights.”
“No human thing is more universal than illness, in all its permutations, and no literary publication holds more credibility on the subject than Bellevue Literary Review.”
“A kaleidoscope of creativity. . . The selections are unsentimental and often unpredictable.”
“What is most impressive about BLR, though, is how the editors can stretch their own boundaries.”
“Ask any healthcare worker, ask any patient who has come back from illness and fear, and you will hear stories that might change your life. That's what BLR offers.”
“BLR is loyal to its theme but never constrained by it, uncovering boundless tonal and narrative possibilities as it contemplates the body as a physical entity, probes the manifestation of mental illness, or reckons with how the racialized and gendered body is perceived.”
“BLR is open to many modes and styles of work; it has no house style except humanity (though excellent editing doesn't hurt either).”























